![]() The price for Colorista III is $199 NOT the $299 that I assumed for Parts 1 and 2 of the Colorista III overview… which brings it much closer to the price of Color Finale. This includes the Vibrance control and, of the course, the Keyer interface. We’ll take at the more advanced tools in Part 2 of this Insight Instead, it’s simply an additional Highlight Luma slider. Personally, it’s named a little, murkily, since it implies a non-linear control of the midtones with an impact throughout the tonal range. ![]() A quick look at the documentation explains the intent is to use it after you’ve worked with the image and you decide you want a touch more brightness-that’s when you’ll go for the Exposure slider. In the section of this Insight where I show you how to the Highlights Color Wheel Luma slider works… that’s precisely how the Exposure slider works. We cover all skill levels so whether you're a beginner or have been editing for a while, theres something for everyone. After recording, I realized I forget to show you the ‘Exposure’ slider Final Cut Pro - Guided Tutorials Beginner - Advanced accesstime 6 hr 14 mins Learn and master Final Cut Pro fast with our bite-sized videos that will have you editing like an expert in no time. I’ll do a follow-up with some of the additional controls, including an overview of the excellent HSL Keyer interface. Because it’s such a big plug-in, I’ve focused this Insight on the 3-Way Wheels, Hue vs. I give Colorista III the same treatment here. Long-time members know that I like to work on a grayscale and then throw around knobs, sliders and wheels to see what precisely our tools are doing to our images. My end goal is to decide which one ‘go-to’ plug-in I’ll add to FCP X to enhance its built-in color correction toolset? In this Insight, we’ll break down Colorista III’s image processing On top of that, it’s always been available in every major NLE, with identical functionality whether in FCP, Avid or Premiere.Ĭolorista III has seen a streamlining of its interface. And it’s up and running on FCP X, so we’ll be taking a look at it as part of the FCP X Desert Island Challenge. Then in Colorista II they produced an outstanding interface for pulling keys. Colorista has always been known for its innovative User Interfaceįirst, it integrated Mask controls directly within the plug-in-vastly simplifying advanced color correction tasks. This latest version was released in Spring 2015 – but it’s been around for nearly a decade. Choose one of the tutorials below and get a solid foundation in each application. They will inspire you to think creatively with Final Cut Pro X, Motion, or DaVinci Resolve. In this Insight, we’re going to take a tour of the newest version of the oldest color correction plug-ins on the market, Red Giant Software’s Colorista III. Steve Martin and Mark Spencer have helped thousands of media producers all over the world. We’ve looked at one of the newest entrants for color correction plug-in solutions, Color Finale. The FCP X Desert Island Challenge Part 12 Colorista III: An Overview for Final Cut Pro X Tutorials / FCPX Desert Island Challenge / Tutorial – An Overview of Colorista III for Final Cut Pro X Series
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